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“When you write a hit song, you can easily get caught in a trap where you’re trying to write songs that everyone will like,” Bedingfield tells Apple Music.
#Natasha bedingfield songs all tv
Bedingfield continued to radiate positivity throughout the decade, via upbeat funky bops like “I Wanna Have Your Babies” and 2008’s self-explanatory “Pocketful of Sunshine.” After taking an extended hiatus-marked by one-off collaborations, TV gigs, and new motherhood-Bedingfield resurfaced with 2019’s Linda Perry-produced Roll With Me, which saw the singer coloring her motivational stories with an expanded musical palette of Caribbean rhythms and old-school ‘60s soul. 1 hit, “These Words,” she demystifies her own songwriting process in a manner that suggests you should try it too, while the album's dew-sparkled titled track is a rapturous ode to tapping your inner creativity (a message that got somewhat clouded when it became the theme song to MTV’s posh-kid hate-watch The Hills). Bedingfield released her debut album, Unwritten, in 2004, which contained primarily up-tempo pop songs and was influenced by R&B music. But with its shimmering fusion of Alanis’ edgy alt-pop and Lauryn Hill’s empowering R&B, Bedingfield’s 2004 solo debut, Unwritten, refashioned her as secular crossover star, albeit one whose catwalk-ready swagger was undercut by a self-effacing relatability. Natasha Anne Bedingfield (born 26 November 1981) is an English singer and songwriter. As she tells Apple Music, “It had this innocent positivity that comes from real-life situations and sometimes a lot of pain-but going through that and being uplifted.” Born in 1981, the West Sussex native comes by that inspirational power honestly: Among her pre-fame pursuits was writing and singing for the London branch of the Hillsong contemporary-worship empire. Last February, Natasha said she was “really determined to get some of the best music and art that I’ve made out and into your ears”.Looking back at her breakthrough successes in the early 2000s, pop singer Natasha Bedingfield knows exactly why her music connected on such a massive scale.
She announced her pregnancy that fall, and her son Solomon was born on December 31, 2017. We are so ready for a new Natasha Bedingfield album! Though we’ve had some quiet years recently, 2017 saw Natasha release four new songs, including “Let Go,” “Love Looks Like,” and “Hey Boy.” (The latter she wrote with current collaborator Linda Perry.) However, Natasha’s personal life took center stage later in the year. All we know about the new music so far is that it will be soulful and have a “disco-retro vibe.”
In spring 2018, she began working with songwriter Linda Perry, writing and recording songs all the way until this January. In late 2017, Natasha signed with the label and management company, We Are Hear.
#Natasha bedingfield songs all full
You can also see a full list of unreleased songs by Natasha here. Alas, those earlier songs may go unreleased. Instead, it will probably only feature the songs she wrote with Linda Perry. Most likely, all the songs Natasha previously wrote with other collaborators will not appear on the new record. You can see a full list of songs she wrote for album #4 here. These 15 songs follow years’ worth of songs Natasha wrote and likely recorded throughout the 2010s. Natasha co-wrote each one with only Linda Perry.
#Natasha bedingfield songs all registration
All the new titles have recently been registered on ASCAP, and they may all appear on Natasha’s new album!īelow, you can see the ASCAP registration of all 15 songs. Earlier this month, after months of teasing, it looks like Natasha shot the cover art or filmed the music video for her comeback single, potentially a song called “Roller Skates.” In fact, “Roller Skates” is just one of 15 songs Natasha wrote with Linda Perry in the last year. After working in the studio off and on for several years, Natasha started over in spring 2018, this time working exclusively with Linda Perry. Two months ago, Natasha Bedingfield finally finished recording her long-awaited new album, the follow-up to 2010’s Strip Me.
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